1 00:01:08,000 --> 00:01:10,200 Good evening. Thank you. 2 00:01:13,500 --> 00:01:16,300 Here, in row six. Those two chairs. 3 00:01:16,500 --> 00:01:18,000 Good evening. 4 00:01:25,700 --> 00:01:28,200 Good evening, may I your tickets? Thank you. 5 00:01:51,800 --> 00:01:54,500 Excuse me, a mistake has been made. 6 00:01:54,600 --> 00:01:56,700 Here we are, look. 7 00:02:01,700 --> 00:02:06,000 Do notice. The wrong place. - Sorry. 8 00:02:24,300 --> 00:02:25,900 Come. 9 00:02:33,700 --> 00:02:35,500 No, I want to stay. 10 00:02:35,600 --> 00:02:38,500 Are you crazy? - I have to see it. 11 00:02:40,000 --> 00:02:43,000 What is so special about Mengelen? - Mengelberg. 12 00:02:43,100 --> 00:02:44,600 I say so. 13 00:02:45,200 --> 00:02:46,700 Come with me. 14 00:04:21,400 --> 00:04:23,500 This is the men's room. 15 00:04:24,000 --> 00:04:25,100 I... 16 00:04:26,800 --> 00:04:28,900 I'm running after it. 17 00:04:29,500 --> 00:04:31,300 What are you following? 18 00:04:32,800 --> 00:04:34,100 The hygiene. 19 00:04:34,200 --> 00:04:38,900 Men's toilets get dirty faster. We check that extra. 20 00:04:40,400 --> 00:04:43,100 And are you ready with that? 21 00:04:46,700 --> 00:04:49,400 Everything is clean, sir. 22 00:04:53,800 --> 00:04:57,700 You miss the concert. - I've seen it more often. 23 00:05:04,200 --> 00:05:06,100 You forget something. 24 00:06:03,100 --> 00:06:05,200 Do you not have to intervene? 25 00:06:12,300 --> 00:06:15,700 She has to leave. - What? Who? 26 00:06:25,400 --> 00:06:27,200 Does she work for you? 27 00:07:12,400 --> 00:07:15,300 Do not push, I can walk myself. 28 00:07:15,500 --> 00:07:17,300 They had to lock you up. 29 00:07:17,500 --> 00:07:20,300 Can I apologize? - To who? The hall? 30 00:07:20,400 --> 00:07:23,800 To Maestro Mengelberg. - Stay away from him. 31 00:07:24,000 --> 00:07:27,000 A great musician treat you with respect. 32 00:07:29,100 --> 00:07:32,600 You are fired. - You're not my boss. 33 00:09:54,400 --> 00:09:55,900 Mr. Goldsmith? 34 00:09:56,600 --> 00:09:57,800 Sir? 35 00:09:58,900 --> 00:10:03,900 My parents and I visit your lunch concerts for years. 36 00:10:04,100 --> 00:10:06,300 Fixed because they are free. 37 00:10:06,500 --> 00:10:10,500 The trombone played at the end a wrong note ... 38 00:10:10,600 --> 00:10:13,300 ... just before the repeat of the trio. 39 00:10:13,600 --> 00:10:17,000 They played an E, but it must be an Es. 40 00:10:20,000 --> 00:10:21,500 Wait. 41 00:10:28,500 --> 00:10:32,500 Well noticed. Do you know the trombone part by heart? 42 00:10:32,600 --> 00:10:35,800 Not just that party. Every note. 43 00:10:36,800 --> 00:10:39,100 You still give piano lessons at the conservatory? 44 00:10:39,200 --> 00:10:41,000 Right. - That's what I want to go. 45 00:10:41,100 --> 00:10:45,500 Success with it. - Can I come and play for a time? 46 00:10:46,000 --> 00:10:49,100 I do not like to waste my time. - Me neither. 47 00:10:57,500 --> 00:10:59,900 Tomorrow afternoon, at four o'clock. 48 00:11:27,000 --> 00:11:29,700 I have an appointment with Mr. Goldsmith. 49 00:11:30,100 --> 00:11:31,200 Come on in. 50 00:11:38,000 --> 00:11:39,700 Can I get coffee? 51 00:11:39,800 --> 00:11:41,700 Quiet. I try to work. 52 00:11:41,800 --> 00:11:46,500 The coffee must be ground. - She can do that. 53 00:11:46,600 --> 00:11:49,000 You can enter if there is coffee. 54 00:11:49,900 --> 00:11:51,700 You heard it. 55 00:12:00,600 --> 00:12:02,100 Do not run. 56 00:12:37,800 --> 00:12:41,700 This household is a complete chaos. 57 00:12:42,900 --> 00:12:46,000 Do not mind him, he hears at the furniture. 58 00:12:50,100 --> 00:12:52,900 Frank, this is ... What's your name? 59 00:12:54,600 --> 00:12:55,800 Willy Wolters. 60 00:12:56,600 --> 00:12:58,600 Let us not waste time. 61 00:13:11,700 --> 00:13:12,900 Play. 62 00:13:44,400 --> 00:13:45,900 Just stop. 63 00:13:48,200 --> 00:13:50,400 Magnificent. - Do you think? 64 00:13:50,900 --> 00:13:52,900 This wing. 65 00:13:54,900 --> 00:13:58,900 I practice on a piano with lapping against the strings. 66 00:13:59,900 --> 00:14:02,000 Why would you do that? 67 00:14:02,900 --> 00:14:05,800 Otherwise the neighbors will complain. 68 00:14:05,900 --> 00:14:10,200 It's an old thing. My father found it with the garbage. 69 00:14:11,200 --> 00:14:14,900 Garbage? - My father is a garbage man. 70 00:14:15,100 --> 00:14:19,200 Who taught you? - An acquaintance of my mother. 71 00:14:19,700 --> 00:14:21,700 What do you know about Bach? 72 00:14:23,000 --> 00:14:25,600 I play his nuts, sir. 73 00:14:25,800 --> 00:14:28,700 You can only do that if you have him you have studied. 74 00:14:28,800 --> 00:14:32,000 Do you know the biggest Bach expert in the world? 75 00:14:32,300 --> 00:14:34,000 Of course not. 76 00:14:34,200 --> 00:14:35,700 Albert Schweitzer. 77 00:14:36,200 --> 00:14:39,800 He studied Bach as never before. 78 00:14:39,900 --> 00:14:44,400 Unfortunately, he chose doctor to be in the jungle. 79 00:14:44,500 --> 00:14:48,900 What confirms that genius borders with distractions. 80 00:14:49,000 --> 00:14:50,400 Do you find him disturbed? 81 00:14:50,500 --> 00:14:53,400 Yes, he abuses his talent by not using it. 82 00:14:53,500 --> 00:14:56,800 Maybe he has more talent to be a doctor. 83 00:15:01,000 --> 00:15:04,300 Why are you playing like that? - What do you mean? 84 00:15:04,400 --> 00:15:06,700 So without feeling. 85 00:15:08,700 --> 00:15:13,400 I have learned that no one my feeling is waiting. 86 00:15:13,500 --> 00:15:15,900 Do you have to interpret music? 87 00:15:16,100 --> 00:15:19,100 Interpretations can are wrong, nuts are not. 88 00:15:19,200 --> 00:15:21,800 That is science. - Bach composed mathematically. 89 00:15:21,900 --> 00:15:25,100 But spoke the language of God. - Well ... 90 00:15:26,300 --> 00:15:29,500 Nobody knows what God is meant, right? 91 00:15:38,000 --> 00:15:39,800 Your technique is terrible. 92 00:15:39,900 --> 00:15:43,300 Your pedal use does not obscure that. 93 00:15:43,500 --> 00:15:45,600 Forget about the conservatory. 94 00:15:45,900 --> 00:15:49,300 They never allow you. - Can you teach me? 95 00:15:49,500 --> 00:15:52,800 I will study hard. Everything to get better. 96 00:15:53,000 --> 00:15:55,300 Can I give you advice? 97 00:15:56,300 --> 00:15:58,500 Get married, get children. 98 00:15:59,600 --> 00:16:01,200 Like your wife? 99 00:16:01,300 --> 00:16:02,800 Yes. 100 00:16:07,300 --> 00:16:10,100 I hope the coffee has tasted. 101 00:16:15,500 --> 00:16:17,300 Peculiar woman. 102 00:16:19,300 --> 00:16:21,300 Pretty attractive. 103 00:16:33,100 --> 00:16:34,200 Wait. 104 00:16:34,300 --> 00:16:37,400 Wait. I can prepare you for admission. 105 00:16:37,500 --> 00:16:40,400 I would be crazy, right? 106 00:16:40,500 --> 00:16:43,800 Three lessons a week, two dollars per hour? 107 00:16:49,400 --> 00:16:50,700 Well? 108 00:16:51,500 --> 00:16:53,100 What do you think? 109 00:16:58,900 --> 00:17:01,300 TYPISED WANTED 110 00:17:07,300 --> 00:17:09,400 You get ten minutes. 111 00:17:27,400 --> 00:17:31,400 You. Too slow, nails too long. 112 00:17:31,500 --> 00:17:34,200 Too many mistakes. And you... 113 00:17:34,900 --> 00:17:38,100 Fast fingers, short nails, no mistakes. 114 00:17:39,600 --> 00:17:42,700 You can start tomorrow. - Really? Thank you. 115 00:18:14,900 --> 00:18:17,600 I'm coming for that job from wardrobe lady. 116 00:18:17,800 --> 00:18:19,600 That is already gone. 117 00:18:20,400 --> 00:18:23,700 You did not get it. - Why not? 118 00:18:24,300 --> 00:18:27,700 We work here for the tips. Therefore. 119 00:18:38,400 --> 00:18:42,000 Turned down? - Five times today. 120 00:18:42,100 --> 00:18:44,900 You just have to stand out in this profession. 121 00:18:45,000 --> 00:18:48,600 I have a big problem if I do not like it. 122 00:18:48,700 --> 00:18:52,900 I would like to help you, but we do not need anyone. 123 00:18:53,400 --> 00:18:55,400 Except a pianist. 124 00:19:17,000 --> 00:19:20,100 You play too stiff. Slide up. 125 00:19:26,900 --> 00:19:28,700 Let yourself go. 126 00:19:37,700 --> 00:19:40,700 Why are you looking for a pianist? if you can do it yourself? 127 00:19:40,900 --> 00:19:42,900 Because I prefer to play bass. 128 00:19:49,900 --> 00:19:51,200 Robin? 129 00:19:52,200 --> 00:19:54,000 Do you have a cigarette? 130 00:20:15,400 --> 00:20:19,000 Does it bother you? People come especially for her. 131 00:20:19,400 --> 00:20:20,700 Him. 132 00:20:21,700 --> 00:20:23,500 You have to see it like this: 133 00:20:23,900 --> 00:20:26,000 We are all born naked. 134 00:20:26,200 --> 00:20:28,700 The rest is only a disguise. 135 00:20:50,300 --> 00:20:54,100 And now our fantastic female impersonator: 136 00:20:54,200 --> 00:20:57,100 The famous Miss Denise. 137 00:21:00,100 --> 00:21:01,500 Thank you. 138 00:21:08,400 --> 00:21:10,300 What do we have here? 139 00:21:10,500 --> 00:21:13,600 A na-monkey star behind the piano. 140 00:21:14,400 --> 00:21:17,600 Are you trying to impress me? Or... 141 00:21:18,500 --> 00:21:20,600 ... are you a real woman? 142 00:21:22,500 --> 00:21:24,500 Tricky to say, do not you think? 143 00:21:26,100 --> 00:21:29,200 Someone is sticking out his neck for you. 144 00:21:29,300 --> 00:21:35,200 Because we all see that this is a male band. 145 00:21:36,400 --> 00:21:38,100 Say, what's your name? 146 00:21:39,600 --> 00:21:40,900 Willy. 147 00:21:44,500 --> 00:21:49,700 So because you do not have willy , your parents called you but Willy. 148 00:21:53,400 --> 00:21:55,500 Let's see what she can. 149 00:23:01,100 --> 00:23:03,000 You can join this weekend. 150 00:23:03,400 --> 00:23:06,400 That is too heavy for my wife. 151 00:23:06,500 --> 00:23:08,900 My audition is next week. 152 00:23:09,400 --> 00:23:11,600 It is an interesting environment. 153 00:23:11,700 --> 00:23:16,200 There will be a lot leading musicians. 154 00:23:56,200 --> 00:23:58,100 You look nice. 155 00:23:58,700 --> 00:24:00,200 Thank you. 156 00:24:21,300 --> 00:24:25,200 Hello, Mark. We were just called by your wife. 157 00:24:25,300 --> 00:24:27,300 The delivery has begun. 158 00:24:29,600 --> 00:24:34,100 Then I can not stay. - Our driver will take you back. 159 00:24:34,300 --> 00:24:37,700 I'm coming. - No, stay. 160 00:24:37,900 --> 00:24:39,500 You are here now. 161 00:24:39,600 --> 00:24:41,600 Who am I satisfied with? 162 00:24:41,700 --> 00:24:44,300 This is Willy Wolters, a student of mine. 163 00:24:44,500 --> 00:24:47,100 Nice to meet you, Mrs... 164 00:24:47,400 --> 00:24:51,700 Thomsen. And this is Mr. Thomsen. - Hello, Willy. 165 00:24:52,300 --> 00:24:55,600 The servant takes you to your room. Then you can... 166 00:24:56,300 --> 00:24:57,600 Refresh yourself. 167 00:25:18,700 --> 00:25:20,400 Where are you going? 168 00:25:22,100 --> 00:25:23,400 The other way. 169 00:25:24,100 --> 00:25:25,700 The staircase is here. 170 00:25:34,000 --> 00:25:35,800 What are you doing here? 171 00:25:36,500 --> 00:25:38,500 Same as you, I think. 172 00:25:39,500 --> 00:25:43,100 This is the house of my parents. I grew up here. 173 00:25:43,300 --> 00:25:45,700 I am the guest of Mr. Goldsmith. 174 00:25:46,600 --> 00:25:48,100 He did not say anything. 175 00:25:48,300 --> 00:25:51,300 I am not responsible for what he tells you. 176 00:25:51,400 --> 00:25:55,000 If you do not impose yourself to the musicians. 177 00:25:56,000 --> 00:25:59,000 That's the last thing I would do. 178 00:25:59,100 --> 00:26:01,600 We know what you are capable of. 179 00:26:02,600 --> 00:26:06,000 Now it is clear that you are a gentleman ... 180 00:26:06,100 --> 00:26:08,700 ... can you behave like that? 181 00:27:47,000 --> 00:27:50,000 Can someone take me to to bring the station? 182 00:27:50,800 --> 00:27:53,400 The table is already covered. 183 00:27:54,100 --> 00:27:56,000 Nobody will miss me. 184 00:27:56,200 --> 00:27:57,900 But I do. 185 00:27:59,000 --> 00:28:02,900 You are my table guest. So change quickly. 186 00:28:42,500 --> 00:28:44,800 We've been waiting for you. 187 00:29:21,700 --> 00:29:23,300 Excuse me... 188 00:29:23,900 --> 00:29:27,800 You are familiar. Have we met before? 189 00:29:28,500 --> 00:29:30,200 Her name is Willy. 190 00:29:30,300 --> 00:29:33,700 Can you tell us something about yourself? 191 00:29:33,800 --> 00:29:36,500 There is not much to tell. 192 00:29:36,700 --> 00:29:40,500 Did not you sit in front at my concert? 193 00:29:45,000 --> 00:29:47,200 Yes that was me. 194 00:29:47,300 --> 00:29:48,800 You? 195 00:29:49,300 --> 00:29:50,700 Forget it. 196 00:29:51,000 --> 00:29:55,700 I assume you did not have money for the first row? 197 00:29:55,800 --> 00:29:58,800 The staff is not allowed sitting in the room. 198 00:29:59,000 --> 00:30:00,600 Do you work there? 199 00:30:00,700 --> 00:30:02,500 Not anymore. 200 00:30:04,900 --> 00:30:06,600 I'm out of there. 201 00:30:08,100 --> 00:30:11,600 I hear a vague accent. Where are you from? 202 00:30:12,200 --> 00:30:14,300 From Holland, sir. 203 00:30:16,200 --> 00:30:19,000 A compatriot. Frank, you always say: 204 00:30:19,300 --> 00:30:22,100 'All good comes from the Netherlands.' 205 00:30:23,600 --> 00:30:26,100 Why did you read the score? 206 00:30:47,600 --> 00:30:49,700 What did she say? 207 00:30:50,500 --> 00:30:53,000 She wants to be a conductor. 208 00:31:08,100 --> 00:31:10,600 I know the music world well ... 209 00:31:10,800 --> 00:31:15,200 ... but I never got it female conductor heard. 210 00:31:15,800 --> 00:31:18,000 Have you ever met one? 211 00:31:18,600 --> 00:31:22,100 To my best knowledge, they are not there. 212 00:31:22,200 --> 00:31:25,100 Women do not have t to do for men. 213 00:31:25,300 --> 00:31:27,300 Maybe she's right. 214 00:31:27,800 --> 00:31:30,900 My wife was for our marriage a skillful singer. 215 00:31:31,200 --> 00:31:33,300 Yes, but conductor ... 216 00:31:33,900 --> 00:31:36,600 You will never succeed? 217 00:31:36,700 --> 00:31:40,100 America is the country of the possibilities. 218 00:31:42,000 --> 00:31:43,700 Not for everyone. 219 00:32:30,700 --> 00:32:33,700 Do you admire the stars in the sky? 220 00:32:33,700 --> 00:32:37,500 No, only the flowers on my feet. 221 00:32:40,400 --> 00:32:42,900 Thank you for not saying that I ... 222 00:32:43,400 --> 00:32:45,400 Well, you know. 223 00:32:46,700 --> 00:32:48,300 It's okay. 224 00:32:51,400 --> 00:32:53,500 Have you found new work? 225 00:32:53,900 --> 00:32:55,300 Yes. 226 00:32:55,900 --> 00:32:57,400 True? 227 00:32:59,400 --> 00:33:01,100 Something in music. 228 00:33:01,200 --> 00:33:03,700 Yes but where? 229 00:33:05,400 --> 00:33:08,600 To be laughed at once is enough. 230 00:33:10,700 --> 00:33:12,300 Sorry. 231 00:33:13,100 --> 00:33:15,100 That was rude. 232 00:33:18,800 --> 00:33:20,200 Shall we Dance? 233 00:39:57,100 --> 00:39:58,600 Keep quiet. 234 00:40:02,600 --> 00:40:04,100 Stop that. 235 00:40:05,000 --> 00:40:06,400 Stop. 236 00:40:17,100 --> 00:40:18,800 Silence. 237 00:41:01,000 --> 00:41:04,100 Mr. Goldsmith is inside. - How did it go? 238 00:41:04,900 --> 00:41:07,600 I've been hired. - Congratulations. 239 00:41:12,400 --> 00:41:14,600 Do you want a lift? Where are you going? 240 00:41:14,700 --> 00:41:17,400 Home, by bus. - It's only a lift. 241 00:41:17,500 --> 00:41:20,700 Its not far. - You're so away from me again. 242 00:41:24,200 --> 00:41:26,700 We did not say goodbye, and as you said: 243 00:41:26,800 --> 00:41:29,600 I must behave like a gentleman. 244 00:42:09,800 --> 00:42:11,900 Someone is moving. 245 00:42:12,900 --> 00:42:14,300 Here it is. 246 00:42:21,300 --> 00:42:23,300 Your parents will be proud. 247 00:42:28,500 --> 00:42:32,800 I'm going away for a few weeks Prepare a tour. 248 00:42:32,900 --> 00:42:34,600 When I'm back... 249 00:42:36,000 --> 00:42:38,000 ... can I see you again? 250 00:42:40,000 --> 00:42:42,000 You know where to find me now. 251 00:44:21,600 --> 00:44:23,800 Can I sleep here tonight? 252 00:44:28,100 --> 00:44:31,500 That piano gave me comfort. Without that thing ... 253 00:44:32,400 --> 00:44:34,600 ... I had gone crazy. 254 00:44:34,900 --> 00:44:38,100 We all have that. - You too? 255 00:44:38,700 --> 00:44:40,100 Even I. 256 00:44:43,300 --> 00:44:44,600 Do not despair. 257 00:44:44,800 --> 00:44:48,400 Just dust yourself and start again. 258 00:44:48,500 --> 00:44:50,900 What does a man know about dusting? 259 00:44:51,600 --> 00:44:54,200 More than you, Scrubby Dutch. 260 00:44:56,500 --> 00:44:58,100 I'll show you the house. 261 00:44:58,400 --> 00:45:00,400 This is my bedroom. 262 00:45:01,400 --> 00:45:05,500 Nobody has something to look for here, so I keep it closed. 263 00:45:06,400 --> 00:45:10,300 I have my own bathroom, but you can use it. 264 00:45:11,300 --> 00:45:13,400 And here you sleep. 265 00:45:20,400 --> 00:45:23,800 How can I thank you? I will pay for it. 266 00:45:23,900 --> 00:45:25,700 We'll see that later. 267 00:45:25,900 --> 00:45:27,700 Robin ... 268 00:45:29,100 --> 00:45:33,100 Is concealment the same as lying? 269 00:45:45,400 --> 00:45:46,900 Are you waiting for me? 270 00:45:47,200 --> 00:45:49,700 We fall for another band. 271 00:45:49,900 --> 00:45:51,500 True? - Here. 272 00:45:51,700 --> 00:45:52,700 What? 273 00:45:52,800 --> 00:45:55,900 No, my classmates will see me soon. 274 00:45:56,100 --> 00:46:00,200 They are probably not there. It is a party for lenders. 275 00:46:17,400 --> 00:46:18,600 Willy? 276 00:46:19,700 --> 00:46:21,100 How are you? 277 00:46:22,500 --> 00:46:24,000 Could not be better. 278 00:46:24,200 --> 00:46:26,200 Are you also invited? 279 00:46:27,100 --> 00:46:28,900 Hello, Mrs. Thomsen. 280 00:46:30,200 --> 00:46:31,800 Willy, this is Emma. 281 00:46:32,000 --> 00:46:35,500 We have known Emma for years, through her parents. 282 00:46:35,500 --> 00:46:39,100 We hope she and Frank to get engaged. 283 00:46:39,200 --> 00:46:41,500 We do not know anything about that. 284 00:46:44,500 --> 00:46:47,700 I'm going already. - Of course, you are right. 285 00:46:50,000 --> 00:46:52,300 Really good to see you. 286 00:46:52,800 --> 00:46:54,700 Come in. 287 00:46:54,900 --> 00:46:57,500 I was looking for Robin. 288 00:46:58,100 --> 00:47:00,000 Who is Robin? 289 00:47:00,500 --> 00:47:02,000 A friend? 290 00:47:02,300 --> 00:47:03,500 Something like that. 291 00:47:03,600 --> 00:47:08,100 First greet my father, otherwise his heart breaks. 292 00:47:10,800 --> 00:47:12,700 How are you? - Good. 293 00:47:12,800 --> 00:47:17,700 We just said that musical talent sometimes reveal itself early. 294 00:47:17,900 --> 00:47:22,500 Does that also apply to you? - I was five. 295 00:47:22,600 --> 00:47:26,000 I walked past a church, and heard the organ. 296 00:47:26,100 --> 00:47:29,800 The Rothchilds are there. Something interesting. 297 00:47:32,200 --> 00:47:35,600 I had never heard anything like that. I did not come into the church. 298 00:47:35,800 --> 00:47:38,000 People even listened in the street. 299 00:47:38,100 --> 00:47:41,400 Do you know how much they donated? 300 00:47:42,700 --> 00:47:47,000 I slipped and climbed the stairs. There was the organist. 301 00:47:47,100 --> 00:47:50,000 No idea who it was, but ... 302 00:47:50,100 --> 00:47:52,600 ... I was enchanted, I kept looking. 303 00:47:52,700 --> 00:47:55,800 More than five thousand dollars. 304 00:47:56,700 --> 00:48:00,500 Only later did I hear that Albert Schweitzer was. 305 00:48:01,600 --> 00:48:05,100 From that moment on I begged for a piano. 306 00:48:05,300 --> 00:48:07,600 Schweitzer is never been in the US. 307 00:48:08,000 --> 00:48:11,400 We lived in the Netherlands. He played Bach. 308 00:48:11,600 --> 00:48:13,500 Are your parents musical? 309 00:48:13,700 --> 00:48:17,800 No. They are not my real parents. I have been adopted. 310 00:48:17,900 --> 00:48:21,200 Have your own parents died? - No. 311 00:48:21,300 --> 00:48:26,800 Nothing is known about my father, and my mother sold me. 312 00:48:27,000 --> 00:48:32,300 My foster parents bought me. I mean, adopted me. 313 00:48:32,400 --> 00:48:36,200 I have to find out what they have paid. 314 00:48:37,200 --> 00:48:40,600 So you're actually different? - Yes. 315 00:48:41,300 --> 00:48:44,300 How? - That does not matter. 316 00:48:44,700 --> 00:48:48,300 It has happened to me. I was two. 317 00:48:49,600 --> 00:48:51,600 Interesting enough for you? 318 00:48:52,300 --> 00:48:54,100 I thought so. 319 00:48:54,300 --> 00:48:56,100 I made it all up. 320 00:49:03,300 --> 00:49:05,000 I have to go. 321 00:49:06,200 --> 00:49:09,400 Did you have to embarrass her like that? - Excuse me? 322 00:49:09,600 --> 00:49:13,800 Why so light-hearted? - She pretends I'm not there. 323 00:49:15,000 --> 00:49:16,600 I do not understand you. 324 00:49:16,700 --> 00:49:18,800 Then find better company. 325 00:49:21,300 --> 00:49:24,400 Did you have a fight? - I was looking for the podium. 326 00:49:24,500 --> 00:49:27,500 Do you know who that is? - Yes, his name is Frank. 327 00:49:27,700 --> 00:49:31,000 Frank Thomsen, one of the greatest concert managers. 328 00:49:31,200 --> 00:49:33,700 As long as he leaves me alone. 329 00:50:35,800 --> 00:50:37,400 Ready. 330 00:50:40,500 --> 00:50:43,700 Are you afraid of me? - Oh no, sir. 331 00:50:44,600 --> 00:50:46,700 It is as if I have known you for years. 332 00:50:46,800 --> 00:50:50,600 I feel that you are m very much admired. 333 00:50:51,200 --> 00:50:52,800 Is not that right, Willy? 334 00:50:52,900 --> 00:50:56,600 I admire you because I am want to be the same as you. 335 00:50:56,700 --> 00:51:00,700 What? Teacher? - No, conductor. 336 00:51:03,500 --> 00:51:06,700 You say that only because you are in love with me. 337 00:51:06,900 --> 00:51:10,100 I say it because I want to be conductor. 338 00:51:10,300 --> 00:51:11,900 That is impossible. 339 00:51:12,500 --> 00:51:14,300 Women do not become a conductor. 340 00:51:15,200 --> 00:51:17,800 They can not. - Why not? 341 00:51:17,900 --> 00:51:19,500 They can not lead. 342 00:51:19,700 --> 00:51:21,600 But you can teach me. 343 00:51:22,500 --> 00:51:27,000 A woman with a stick, that wild is gesturing for men? 344 00:51:27,200 --> 00:51:30,000 Very unattractive. - Who cares? 345 00:51:30,100 --> 00:51:31,300 I. 346 00:51:33,400 --> 00:51:35,700 I want you to look beautiful. 347 00:51:40,500 --> 00:51:44,000 Is it about power? - Power? No. 348 00:51:45,300 --> 00:51:47,900 I just want to lose myself in music. 349 00:51:49,200 --> 00:51:51,900 And I want to lose myself in you. 350 00:51:52,000 --> 00:51:53,500 Just remember ... 351 00:51:54,100 --> 00:51:58,200 ... that women are under. They come far enough with that. 352 00:51:59,500 --> 00:52:01,000 Please. Stop. 353 00:52:06,800 --> 00:52:08,300 You broke it. 354 00:52:11,900 --> 00:52:13,200 Get out. 355 00:52:25,500 --> 00:52:28,000 He claims that you are him, I quote: 356 00:52:28,100 --> 00:52:31,800 "Hysterical attack when I criticized her piano playing. " 357 00:52:31,900 --> 00:52:34,300 Hysterical? - That's here. 358 00:52:35,100 --> 00:52:38,400 So it is his word against mine? 359 00:52:38,500 --> 00:52:41,600 That's what it comes down to. There are no witnesses. 360 00:52:42,400 --> 00:52:45,900 He withdraws the charg if you leave the training. 361 00:52:56,900 --> 00:52:58,700 Where should I sign? 362 00:52:59,800 --> 00:53:01,600 What is your name, honey? 363 00:53:05,900 --> 00:53:08,100 Willy ... - Brico. 364 00:53:10,400 --> 00:53:12,500 Antonia Brico. 365 00:53:44,900 --> 00:53:46,600 Please. 366 00:53:47,200 --> 00:53:50,200 With a new life hear new music. 367 00:54:39,500 --> 00:54:42,100 Willy Wolters? - One floor higher. 368 00:54:45,200 --> 00:54:46,900 Mrs Wolters? 369 00:54:47,000 --> 00:54:49,700 I'm looking for Willy. - He does not live here anymore. 370 00:54:49,800 --> 00:54:52,300 Where is she? I can not find her. 371 00:54:52,400 --> 00:54:56,800 If you can not find her, she does not want to be found. 372 00:55:13,700 --> 00:55:17,700 Come on, Robin. Do not be a push, defend yourself. 373 00:55:18,000 --> 00:55:19,200 Breaker. 374 00:55:19,700 --> 00:55:22,500 Did you know that Robin ever had an accident? 375 00:55:23,700 --> 00:55:25,200 No, I did not know that. 376 00:55:25,400 --> 00:55:29,800 He has had a bad back since then. He is wearing a corset. 377 00:55:31,800 --> 00:55:33,700 Like me. 378 00:55:33,800 --> 00:55:35,400 Never seen? 379 00:55:37,800 --> 00:55:41,200 I forgot how mysterious you do that. 380 00:55:48,400 --> 00:55:51,300 AMERICAN AMBASSADE THE HAGUE 381 00:55:59,300 --> 00:56:00,700 Robin? 382 00:56:48,800 --> 00:56:50,800 What are you doing here? 383 00:56:54,300 --> 00:56:56,500 A letter from the embassy. 384 00:56:57,600 --> 00:56:59,100 Bad news? 385 00:57:00,100 --> 00:57:03,600 They found her. - You wanted that? 386 00:57:05,600 --> 00:57:07,400 She is dead. 387 00:57:14,800 --> 00:57:18,100 Now I can only visit her grave. 388 00:57:38,400 --> 00:57:40,000 Does it hurt? 389 00:57:44,300 --> 00:57:46,100 Every day. 390 00:58:43,600 --> 00:58:46,200 Do you know how long I've been looking for? 391 00:58:46,300 --> 00:58:51,100 You disappeared without notice. And now you are fleeing again. 392 00:58:51,200 --> 00:58:53,600 We go in the brea to the dressing room. 393 00:58:53,900 --> 00:58:57,700 You can not just people on the side. 394 00:58:57,800 --> 00:59:01,700 Why do not you go to school? - Ask Goldsmith. 395 00:59:01,900 --> 00:59:04,700 I have done that. - And what did he say? 396 00:59:11,400 --> 00:59:15,000 I finally found you. That's what it's about. 397 00:59:17,600 --> 00:59:19,200 How are you? 398 00:59:21,500 --> 00:59:25,200 It's okay. I am going to travel soon. 399 00:59:25,400 --> 00:59:27,900 Where to? - To the Netherlands. 400 00:59:28,000 --> 00:59:29,800 When? - About a week. 401 00:59:29,900 --> 00:59:32,500 You can not go. - Why not? 402 00:59:33,500 --> 00:59:35,900 Because I can not miss you. 403 00:59:36,800 --> 00:59:40,400 Antonia, we are going to start. - I'm coming. 404 00:59:40,500 --> 00:59:42,900 Antonia? - That's my name. 405 00:59:43,700 --> 00:59:47,200 So that adoption story is true? - Yes, Frank. 406 00:59:47,200 --> 00:59:49,200 I'm a bastard. 407 00:59:50,800 --> 00:59:53,300 Stop. - Why are you doing this? 408 01:01:10,300 --> 01:01:11,700 Antonia ... 409 01:01:13,500 --> 01:01:16,000 I do not want to say goodbye. 410 01:01:16,100 --> 01:01:18,000 I want to be with you. 411 01:01:18,100 --> 01:01:19,500 I want that too. 412 01:01:20,400 --> 01:01:23,000 Forget about that journey and stay. 413 01:03:29,000 --> 01:03:30,400 Dear Frank. 414 01:03:31,400 --> 01:03:33,900 I'm staying in a lovely hotel ... 415 01:03:34,000 --> 01:03:36,500 ... in a room with a beautiful view. 416 01:03:39,800 --> 01:03:43,700 Do not be afraid, you hit me do not lose to the music. 417 01:03:43,800 --> 01:03:49,100 I can not listen to music, and I can not afford a concert. 418 01:03:49,200 --> 01:03:51,500 I do not mind. 419 01:03:51,500 --> 01:03:53,600 Now I have you. 420 01:03:54,700 --> 01:03:57,300 I love Amsterdam. 421 01:03:57,500 --> 01:04:01,200 I examine every street and every alley. 422 01:04:01,300 --> 01:04:03,800 What am I looking for? 423 01:04:04,000 --> 01:04:05,800 I do not know. 424 01:04:06,000 --> 01:04:08,300 I do not know anyone here. 425 01:04:08,600 --> 01:04:14,500 In the meantime I gather courage for more to find out about my family. 426 01:04:31,200 --> 01:04:33,000 Who is this lady? 427 01:04:34,300 --> 01:04:36,500 You know her, Willy. 428 01:04:38,200 --> 01:04:40,500 Does she now have an artist name? 429 01:05:35,300 --> 01:05:37,200 A telegram, sir. 430 01:05:39,900 --> 01:05:42,300 MISS BRICO ASKS TO EXECUTIVE LESSONS 431 01:05:42,400 --> 01:05:44,800 WHAT SHOULD I DO? WILLEM MENGELBERG 432 01:05:50,100 --> 01:05:53,000 Make sure this is sent quickly. 433 01:05:53,200 --> 01:05:56,100 SEND HER TO HOME 434 01:11:09,300 --> 01:11:11,600 My name is Antonia. 435 01:11:11,900 --> 01:11:15,100 Nice to meet you. 436 01:11:15,600 --> 01:11:17,500 My name is Antonia. 437 01:11:34,100 --> 01:11:35,400 What do you want? 438 01:11:35,900 --> 01:11:40,300 My name is Antonia Brico. Nice to meet you. 439 01:11:41,300 --> 01:11:44,600 I'm coming for Mr. Muck. - Where are you from? 440 01:11:45,400 --> 01:11:49,400 I am from america. - Mr. Muck is not home. 441 01:11:49,600 --> 01:11:52,700 Moreover, he is not too disturb for twelve hours. 442 01:11:54,400 --> 01:11:55,900 Else? 443 01:11:56,500 --> 01:11:58,200 What is this? 444 01:11:59,700 --> 01:12:02,700 And who are you? - She's from the US. 445 01:12:06,400 --> 01:12:08,600 I am not at home for Americans. 446 01:12:09,000 --> 01:12:13,600 I am Dutch. Still. I am never national. 447 01:12:13,700 --> 01:12:15,900 I have a letter of recommendation. 448 01:12:16,100 --> 01:12:18,200 From Maestro Mengelberg. 449 01:12:21,600 --> 01:12:24,000 A letter of recommendation. 450 01:12:25,700 --> 01:12:28,300 What must that bastard do? 451 01:12:36,700 --> 01:12:41,100 If he calls this a recommendation, I eat my cigarette. 452 01:12:52,000 --> 01:12:53,400 I want to be a conductor. 453 01:12:53,700 --> 01:12:56,800 I have a prejudice about women. 454 01:13:22,600 --> 01:13:24,700 Is he a friend of yours? - Who? 455 01:13:25,000 --> 01:13:26,900 Albert Schweitzer. 456 01:13:31,100 --> 01:13:33,600 We have a few things in common. 457 01:13:34,200 --> 01:13:36,900 He was in the Great War caught in France. 458 01:13:37,000 --> 01:13:41,300 He had done nothing, but he was German. 459 01:13:41,400 --> 01:13:44,600 You condemn me, not because I'm doing something wrong ... 460 01:13:44,700 --> 01:13:47,000 ... but because I am American ... 461 01:13:47,200 --> 01:13:50,700 ... or Dutchman, or woman, or young, or non-smoker. 462 01:13:51,000 --> 01:13:55,000 I call that short-sighted. - Then just short-sighted. 463 01:13:55,300 --> 01:13:57,100 In his book about Bach ... 464 01:13:57,200 --> 01:14:01,800 ... he writes that artists await their big day ... 465 01:14:02,000 --> 01:14:05,200 ... and exhausting up to that time. 466 01:14:05,300 --> 01:14:07,500 That's about me. 467 01:14:08,400 --> 01:14:11,000 Are you already attacking? 468 01:14:11,100 --> 01:14:12,400 Not yet. 469 01:14:12,500 --> 01:14:16,700 Schweitzer gave up the music for another life. 470 01:14:16,800 --> 01:14:20,000 I am so crazy about my life to give up for music. 471 01:14:20,200 --> 01:14:23,000 With or without your help ... 472 01:14:23,300 --> 01:14:25,800 ... I will be a conductor. 473 01:14:29,700 --> 01:14:31,300 So... 474 01:14:36,600 --> 01:14:40,100 You want to exhaust yourself, you say? 475 01:14:46,100 --> 01:14:47,900 Dear Robin. 476 01:14:48,100 --> 01:14:51,600 After some wanderings I have now arrived in Berlin. 477 01:14:52,800 --> 01:14:55,400 I get lessons from Karl Muck. 478 01:14:55,500 --> 01:15:00,600 Of course that does not mean anything to you, but he is great. 479 01:15:01,100 --> 01:15:03,600 I finally learn what it's about. 480 01:15:04,300 --> 01:15:08,600 Unlike Mengelberg Muck gives me a fair chance. 481 01:15:12,100 --> 01:15:16,800 He helped me with my permission at the Rijksacademie voor Muziek. 482 01:15:20,800 --> 01:15:23,600 I have to make it happen here. 483 01:15:24,100 --> 01:15:28,200 They take responsibility for the management only two candidates. 484 01:15:28,300 --> 01:15:31,300 And they have never a woman adopted. 485 01:16:00,200 --> 01:16:02,300 Hello, Frank. How are you? 486 01:16:03,600 --> 01:16:08,000 Have you heard from Antonia yet? - Does not she write you? 487 01:16:08,100 --> 01:16:12,300 No ... Not for a while. 488 01:16:15,100 --> 01:16:17,900 Any idea when she comes back? 489 01:16:18,000 --> 01:16:20,600 She wrote from Berlin. - Berlin? 490 01:16:20,700 --> 01:16:23,700 She wants to follow Board at the Rijksacademie. 491 01:16:23,800 --> 01:16:26,500 How long does that study last? - Two years. 492 01:16:26,600 --> 01:16:30,600 Two years? Where does she get the money? 493 01:16:30,700 --> 01:16:33,000 Is that the first thing you think about? 494 01:16:34,800 --> 01:16:36,700 They never let her. 495 01:16:37,200 --> 01:16:38,800 You underestimate her. 496 01:16:39,200 --> 01:16:40,700 She has already been accepted. 497 01:16:41,800 --> 01:16:43,600 On Dutch courage. 498 01:17:11,100 --> 01:17:13,600 A woman against a hundred men. 499 01:17:15,300 --> 01:17:18,400 What are you going to do so that they follow you? 500 01:17:19,600 --> 01:17:23,000 Are you going for the soft approach, or the hard? 501 01:17:25,200 --> 01:17:27,100 And another thing, Brico ... 502 01:17:27,700 --> 01:17:29,700 If you sweat, you can not. 503 01:17:31,700 --> 01:17:34,200 The crescendo goes from pianissimo to forte ... 504 01:17:34,300 --> 01:17:37,600 ... and you only do mezzoforte. It was not right either. 505 01:17:37,700 --> 01:17:42,500 Right. You have to be a conductor-tyrant are, not a democrat. 506 01:18:19,100 --> 01:18:21,500 Can we talk somewhere? 507 01:18:25,800 --> 01:18:27,500 The soup of the day. 508 01:18:28,500 --> 01:18:30,000 Onion soup. 509 01:18:32,000 --> 01:18:35,100 And the schnitzel. Enjoy your meal. 510 01:18:44,000 --> 01:18:46,800 I am proud that you have been accepted. 511 01:18:47,700 --> 01:18:49,200 Is that right? 512 01:18:51,000 --> 01:18:53,700 You should have written that to me. 513 01:18:55,500 --> 01:18:59,000 I have a letter of recommendation from Mengelberg. 514 01:19:00,000 --> 01:19:02,500 He's hanging over my bed. 515 01:19:02,600 --> 01:19:07,000 He is addressed to Muck, who hates America and women. 516 01:19:07,200 --> 01:19:09,100 Do you know what he wrote? 517 01:19:09,300 --> 01:19:11,600 All good comes from the Netherlands. 518 01:19:12,000 --> 01:19:13,900 Except for me. 519 01:19:15,300 --> 01:19:18,600 I quickly understood who was behind it. 520 01:19:18,700 --> 01:19:21,600 I was hoping you would come back. 521 01:19:22,700 --> 01:19:25,000 Still, actually. 522 01:19:27,200 --> 01:19:29,000 I love you. 523 01:19:31,700 --> 01:19:35,500 You think so. - How do you know what I feel? 524 01:19:36,300 --> 01:19:39,700 I am not suitable. Look at your parents ... 525 01:19:39,900 --> 01:19:41,800 ... and then to mine. 526 01:19:42,100 --> 01:19:45,000 I do not care. I want you. 527 01:19:45,300 --> 01:19:48,100 I want to get married, have children. 528 01:19:49,600 --> 01:19:51,900 You can find someone. 529 01:19:57,300 --> 01:19:59,800 Are you saying that you do not love me? 530 01:20:19,100 --> 01:20:20,500 Does it taste? 531 01:20:21,200 --> 01:20:23,600 Yes delicious. 532 01:20:24,500 --> 01:20:26,700 I thought you did not like onions. 533 01:20:32,900 --> 01:20:37,300 I need to know, so I want to like to hear yes or no. 534 01:20:37,600 --> 01:20:40,600 If you say yes, I will wait for you. 535 01:20:47,200 --> 01:20:49,100 Will you marry me? 536 01:20:55,200 --> 01:20:57,400 May I think about it? 537 01:20:58,000 --> 01:21:00,800 You know what to choose? 538 01:21:08,000 --> 01:21:10,300 What hurts the least. 539 01:21:14,900 --> 01:21:16,400 You're going to say no. 540 01:21:21,600 --> 01:21:24,400 This world will never let you go. 541 01:21:35,000 --> 01:21:39,600 Mengelberg's wife was a fantastic singer. 542 01:21:40,000 --> 01:21:41,800 What does that matter? 543 01:21:43,900 --> 01:21:46,300 She no longer sings. 544 01:22:13,500 --> 01:22:15,000 Miss Brico. 545 01:22:15,700 --> 01:22:17,200 Always the first. 546 01:23:14,900 --> 01:23:17,600 Miss Brico, always the last. 547 01:23:25,200 --> 01:23:30,200 'The biggest challenge in art is dealing with disappointment. ' 548 01:23:34,900 --> 01:23:37,300 FROM MY CHILDHOOD AND YOUTH ALBERT SCHWEITZER 549 01:23:45,400 --> 01:23:49,800 You can say that it comes from the US, but not who the giver is? 550 01:23:50,100 --> 01:23:53,100 Like I said, I can not say that. 551 01:23:53,800 --> 01:23:59,100 It must be from Frank Thomsen. Or his father, Mr. Thomsen? 552 01:23:59,200 --> 01:24:03,100 It comes from a woman that supports the arts. 553 01:24:03,400 --> 01:24:05,900 A woman who supports the arts? 554 01:24:35,200 --> 01:24:38,900 Here, the first woman who does it Berlin Philharmonic conducts. 555 01:24:39,100 --> 01:24:41,900 You should have been that, no Viennese aunt. 556 01:24:42,100 --> 01:24:45,000 That aunt wants the same as me. 557 01:24:46,400 --> 01:24:49,700 The orchestra does not have one trust in her. 558 01:24:49,800 --> 01:24:54,600 Her husband had five thousand D marks advance, for orchestra and hall. 559 01:24:54,800 --> 01:24:58,600 So if nobody comes, is he sitting with the noose? 560 01:24:59,400 --> 01:25:02,400 Watch my words: that is your foreland. 561 01:25:03,200 --> 01:25:05,900 Well, do you want to go there? 562 01:25:06,200 --> 01:25:08,800 Here, I can give them away. 563 01:25:10,200 --> 01:25:12,500 They do not want an empty room. 564 01:25:43,000 --> 01:25:44,400 No... 565 01:25:44,800 --> 01:25:49,000 Dear Frank, I have heard that you are engaged. 566 01:25:49,100 --> 01:25:51,800 I should never have rejected you, and I beg you: 567 01:25:52,300 --> 01:25:55,500 Give me a chance, and not be loyal. 568 01:26:08,900 --> 01:26:10,500 Worthless. 569 01:26:16,700 --> 01:26:18,200 From the podium. 570 01:26:35,700 --> 01:26:40,200 She is being slaughtered. - They just want their money back. 571 01:26:41,000 --> 01:26:42,700 Was she so bad? 572 01:26:43,000 --> 01:26:45,000 Mediocre at best. 573 01:26:45,300 --> 01:26:50,200 They want their money back because they are lured with a fake ad: 574 01:26:50,300 --> 01:26:52,600 'Rich widow seeks husband'. 575 01:26:53,300 --> 01:26:55,800 Made by Frau Mayer. 576 01:27:02,800 --> 01:27:04,400 You are next. 577 01:27:05,500 --> 01:27:07,300 Do you still dare? 578 01:27:16,000 --> 01:27:18,200 What the hell are you doing? 579 01:27:18,600 --> 01:27:20,700 I have to make a dress for you. 580 01:27:22,800 --> 01:27:25,300 Do not you see that I'm at work? 581 01:27:30,300 --> 01:27:31,900 Have you seen it? 582 01:27:32,900 --> 01:27:35,800 WOMAN UNSUITABLE TO LEAD ORCHESTRA 583 01:27:35,900 --> 01:27:38,800 People want to see you fail. 584 01:27:38,900 --> 01:27:44,300 But the good news is: the concert is completely sold out. 585 01:27:47,900 --> 01:27:52,100 My dearest Frank, I do not know what inspired me. 586 01:27:53,500 --> 01:27:56,100 I love you and I miss you. 587 01:27:56,300 --> 01:27:59,800 After my education I come to America. 588 01:28:06,200 --> 01:28:08,400 Why do not you write back? 589 01:28:33,500 --> 01:28:36,400 Herr Muck, Miss Brico is not here. 590 01:28:41,000 --> 01:28:44,300 Wait, sir. - Where is her room? 591 01:29:04,100 --> 01:29:05,600 What now? 592 01:29:06,500 --> 01:29:08,400 Are you a little child? 593 01:29:08,500 --> 01:29:11,800 Ready for mothers skirts to crawl? 594 01:29:13,300 --> 01:29:16,100 Which mother? - You tell me. 595 01:29:16,600 --> 01:29:21,200 Well, are you coming? They are waiting for you. - Nobody is waiting for me. 596 01:29:22,200 --> 01:29:26,200 This is your big day. - To be booed? 597 01:29:26,300 --> 01:29:27,900 Or hailed. 598 01:29:33,900 --> 01:29:36,100 I only see an abyss. 599 01:29:37,400 --> 01:29:41,300 It's always there, even if you are successful. 600 01:29:42,000 --> 01:29:45,300 The higher you rise, the deeper you fall. 601 01:29:45,400 --> 01:29:48,000 So do I collapse anyway? 602 01:29:48,100 --> 01:29:54,000 That's part of the game. You should learning to play alone. 603 01:29:54,300 --> 01:29:58,700 You have easy talk. You are not called Mayer or Brico. 604 01:29:58,900 --> 01:30:00,700 You are a hero. 605 01:30:02,900 --> 01:30:07,900 At my last concert in America the police got me off the podium ... 606 01:30:08,000 --> 01:30:12,400 ... under loud boos from the public. - Why? 607 01:30:12,700 --> 01:30:15,900 I refused it American anthem. 608 01:30:16,200 --> 01:30:21,500 I said: I am German, it is not my national anthem. 609 01:30:28,500 --> 01:30:32,100 Then they have me a year and a half locked up. 610 01:30:32,200 --> 01:30:36,200 Only because it was war, I was the enemy. 611 01:30:38,000 --> 01:30:40,000 Just like Albert Schweitzer. 612 01:30:43,700 --> 01:30:46,100 Was I a hero then? 613 01:30:48,700 --> 01:30:50,800 Nobody thought that. 614 01:30:55,400 --> 01:30:57,000 Only myself. 615 01:31:01,500 --> 01:31:03,500 Sometimes that's enough. 616 01:31:36,700 --> 01:31:38,300 You sweat. 617 01:31:44,700 --> 01:31:46,200 Not anymore. 618 01:34:28,600 --> 01:34:31,500 YANKEE GIRL STARS BERLIN CRITICIA 619 01:34:36,200 --> 01:34:39,300 MISS BRICO TRIOMFEERT IN BERLIN 620 01:34:45,800 --> 01:34:48,500 AMERICAN WOMAN LEADS BERLIN ORKEST 621 01:34:59,300 --> 01:35:03,000 ANTONIA BRICO TRIOMFEERT IN BALTIC STATES, BERLIN AND LONDON 622 01:35:08,400 --> 01:35:10,400 Do you remember her? 623 01:35:13,200 --> 01:35:15,500 Antonia Brico? Never met. 624 01:35:15,700 --> 01:35:19,400 She used to work for you as an ouvreuse. Willy Wolters. 625 01:35:22,200 --> 01:35:23,400 Is she that? 626 01:35:23,600 --> 01:35:26,600 She has caused a furore in Europe. 627 01:35:27,000 --> 01:35:30,700 Would it be her here? to conduct? 628 01:38:36,400 --> 01:38:40,900 Are you ready? Your parents are there. - I'll be right. 629 01:38:46,200 --> 01:38:49,100 Give me the music editor from the New York Times. 630 01:38:49,200 --> 01:38:54,000 You get a concert, but you have to buy half of the cards. 631 01:38:54,200 --> 01:38:56,300 How much does that cost? 632 01:38:58,500 --> 01:39:00,600 Pay it Forward. 633 01:39:01,600 --> 01:39:04,200 Do you ask all conductors? 634 01:39:04,900 --> 01:39:08,600 Only large ones occur here names. So you do not. 635 01:39:08,800 --> 01:39:13,700 I did well in Europe. - If you call six concerts well. 636 01:39:16,000 --> 01:39:17,900 I take a huge risk. 637 01:39:21,900 --> 01:39:25,700 I can not afford that. - Then my offer expires. 638 01:39:27,600 --> 01:39:31,100 Are you going back to Europe now? 639 01:39:34,000 --> 01:39:37,600 If I succeed, I'll get it more concerts? 640 01:39:38,400 --> 01:39:40,800 Are you going to set requirements now? - Please. 641 01:39:41,000 --> 01:39:44,400 More concerts are very important to me. Please? 642 01:39:46,500 --> 01:39:48,300 Are you begging now? 643 01:39:54,800 --> 01:39:56,300 There she is. 644 01:39:57,800 --> 01:40:02,000 Can I have your reaction? Is it right? that you are going to conduct here? 645 01:40:03,800 --> 01:40:06,400 Yes that's right. 646 01:40:08,000 --> 01:40:12,000 And if people want to buy tickets, they can contact me. 647 01:40:46,600 --> 01:40:49,100 This is what I missed most. 648 01:40:49,800 --> 01:40:53,200 I have been in such a past year dirty cellars played. 649 01:40:53,300 --> 01:40:56,500 Incognito, of course. As Willy Wolters. 650 01:40:57,800 --> 01:41:01,700 I survived there, by what I have learned here. 651 01:41:01,900 --> 01:41:03,800 Always happy to help. 652 01:41:05,300 --> 01:41:06,800 Are you serious? 653 01:41:25,400 --> 01:41:26,800 Stop. 654 01:41:26,900 --> 01:41:29,100 The trombones start too early. 655 01:41:33,000 --> 01:41:36,400 Now the bassoons are a little too early. 656 01:41:44,100 --> 01:41:48,200 If you are absolutely on it to bet unequally ... 657 01:41:48,300 --> 01:41:52,500 ... then the trombones first. 658 01:42:00,600 --> 01:42:01,800 Four cards? 659 01:42:04,200 --> 01:42:05,300 Mr Barnes ... 660 01:42:05,500 --> 01:42:09,700 Ticket sales are running storm. I'll be sold out in an hour. 661 01:42:09,800 --> 01:42:12,100 Can I still get a concert? 662 01:42:30,600 --> 01:42:32,400 What now? 663 01:42:33,700 --> 01:42:36,900 Did you have something to say? - The concert is tomorrow. 664 01:42:37,200 --> 01:42:41,900 I do not have to stop, if you does what I say. Once again. 665 01:42:58,700 --> 01:42:59,800 Are not you playing? 666 01:42:59,900 --> 01:43:02,800 Not for a woman who does not know its place. 667 01:43:02,900 --> 01:43:07,100 I know my place very well. That is here. 668 01:43:07,500 --> 01:43:09,000 Again. 669 01:43:17,700 --> 01:43:20,900 I have taken your instrument. How does that feel? 670 01:43:21,200 --> 01:43:25,300 Careful, that's a Stradivarius. - Oh, a Stradivarius? 671 01:43:25,700 --> 01:43:28,500 So you care about this instrument? 672 01:43:30,700 --> 01:43:33,200 Then we are right. - How so? 673 01:43:33,300 --> 01:43:36,000 This orchestra is my instrument. 674 01:43:36,600 --> 01:43:42,000 I can do without orchestra members Do not play my instrument. 675 01:43:42,100 --> 01:43:46,300 Do you know what a soloist says? if he does not practice one day? 676 01:43:46,500 --> 01:43:49,800 "Do not practice one day, I only hear. 677 01:43:49,900 --> 01:43:52,700 Do not practice two days, hears the orchestra. 678 01:43:52,900 --> 01:43:55,200 Three days, that's what the audience belongs to. " 679 01:43:55,400 --> 01:43:59,400 Do not you think this is for conducting? 680 01:44:13,100 --> 01:44:16,500 Do you know how many concerts? to be on my agenda? 681 01:44:17,000 --> 01:44:18,100 One. 682 01:44:19,200 --> 01:44:23,900 Then there is a big emptiness. 683 01:44:25,500 --> 01:44:29,500 Do you know how much my male to give colleagues there? 684 01:44:30,200 --> 01:44:34,500 Four, sometimes five per month. Throughout the year. 685 01:44:35,800 --> 01:44:37,700 Is that fair? 686 01:44:42,200 --> 01:44:43,700 No. 687 01:44:44,500 --> 01:44:48,800 As if you throw a bread crust to someone who is starving. 688 01:45:11,800 --> 01:45:16,000 Applaud, my friend. The performance is over. 689 01:45:20,800 --> 01:45:22,800 You can not just walk away. 690 01:45:23,500 --> 01:45:26,200 We have an appointment. 691 01:45:51,500 --> 01:45:54,800 My instrument. Please, take it. 692 01:45:57,400 --> 01:46:01,500 Without his player the instrument is worth nothing. 693 01:46:04,300 --> 01:46:06,300 Does this mean you'll come tomorrow? 694 01:46:06,500 --> 01:46:07,700 No. 695 01:46:08,500 --> 01:46:11,600 I wait until I hear from you. 696 01:46:13,300 --> 01:46:17,000 Do you want to do the concert tomorrow? 697 01:46:18,400 --> 01:46:20,500 Sorry, I do not understand you. 698 01:46:26,100 --> 01:46:27,800 Please. 699 01:46:28,500 --> 01:46:29,900 Please what? 700 01:46:30,900 --> 01:46:34,500 Miss Brico, you want tomorrow please do the concert? 701 01:46:35,100 --> 01:46:37,700 Mr. Barnes, are you begging now? 702 01:46:40,700 --> 01:46:43,900 Yes. - And my condition? 703 01:46:47,400 --> 01:46:49,900 You will receive a second concert. 704 01:46:53,000 --> 01:46:57,500 Do you want to go to Antonia Brico's concert? I can get tickets. 705 01:46:58,300 --> 01:47:00,700 Are not you curious about her? 706 01:47:01,400 --> 01:47:04,100 No, I do not have to see her. 707 01:47:22,400 --> 01:47:24,300 If I close my eyes ... 708 01:47:25,500 --> 01:47:28,500 ... I do not hear that to conduct a woman. 709 01:47:33,600 --> 01:47:35,400 Unemployed musicians? 710 01:47:35,600 --> 01:47:39,700 Do I have to direct the unemployed? Does he want me to get rid of me? 711 01:47:39,900 --> 01:47:44,100 The government wants to train them keep for better times. 712 01:47:44,300 --> 01:47:47,000 We still got great press? 713 01:47:47,900 --> 01:47:50,400 That is exactly what Barnes is bothering. 714 01:47:50,500 --> 01:47:53,800 You get too much attention. - That is good, right? 715 01:47:53,900 --> 01:47:57,500 You feel sewn. But be happy: 716 01:47:57,600 --> 01:47:59,700 You get money and you are allowed to conduct. 717 01:47:59,900 --> 01:48:02,700 What's the point, if no one hears it? 718 01:48:07,700 --> 01:48:09,200 I do not do it. 719 01:49:17,000 --> 01:49:18,700 Am I too early? 720 01:49:24,200 --> 01:49:26,000 Where are all gentlemen? 721 01:49:26,100 --> 01:49:29,000 The New Jersey Symphony holds audition. 722 01:49:29,800 --> 01:49:33,700 What are you doing here? - They only search for men. 723 01:49:35,000 --> 01:49:36,500 Only the men, hu? 724 01:49:43,400 --> 01:49:46,000 Robin, you always say: 725 01:49:46,200 --> 01:49:50,000 "To make it into this course, do you have to stand out? ' 726 01:49:50,200 --> 01:49:53,100 That is exactly what I am going to do. 727 01:49:53,200 --> 01:49:57,600 'Wanted. Conductor Antonia Brico is looking for female musicians ... 728 01:49:57,800 --> 01:50:00,600 ... for a women's orchestra. 729 01:50:00,700 --> 01:50:03,700 There are vacancies for this all instruments. " 730 01:50:03,800 --> 01:50:05,400 Let's see. 731 01:50:13,300 --> 01:50:17,200 "According to Mark Goldsmith, a celebrated conductor and pianist ... 732 01:50:17,300 --> 01:50:20,600 ... a woman never becomes a prominent conductor. 733 01:50:20,800 --> 01:50:24,100 Miss Brico can be happy with a place in the margin ... 734 01:50:24,100 --> 01:50:26,800 ... before she falls into oblivion. " 735 01:50:29,600 --> 01:50:31,600 AUDITION 736 01:50:53,700 --> 01:50:56,900 FEMALE MUSICI INFERIOR 737 01:51:00,500 --> 01:51:03,400 Who has read this article? 738 01:51:08,800 --> 01:51:11,900 Thank you for coming anyway. 739 01:51:12,100 --> 01:51:14,900 None of you was 'inferior'. 740 01:51:15,600 --> 01:51:17,800 Good, ladies. This way. 741 01:51:20,400 --> 01:51:22,700 Can the bass player stay? 742 01:51:31,100 --> 01:51:33,300 Can I speak to her alone? 743 01:52:04,900 --> 01:52:05,900 What's your name? 744 01:52:07,500 --> 01:52:08,900 Roberta. 745 01:52:11,400 --> 01:52:12,800 Jones. 746 01:52:14,400 --> 01:52:16,200 Roberta Jones. 747 01:52:21,200 --> 01:52:22,500 Robin ... 748 01:52:22,800 --> 01:52:25,200 Are not you dressed up as a woman? 749 01:52:27,900 --> 01:52:33,200 With your wig, fake breasts and make-up, like Miss Denise? 750 01:52:35,800 --> 01:52:40,800 Is this a statement from you? To support me? 751 01:52:47,800 --> 01:52:50,300 I am not dressed as a woman. 752 01:52:55,400 --> 01:52:56,800 What? 753 01:53:00,700 --> 01:53:01,900 This one... 754 01:53:02,800 --> 01:53:04,200 ... are real. 755 01:53:11,400 --> 01:53:13,700 Why did not I see that before? 756 01:53:15,200 --> 01:53:17,800 Because I can hide things well. 757 01:53:19,500 --> 01:53:22,200 You never had an accident? 758 01:53:22,400 --> 01:53:25,400 Only the accident as a woman to be born. 759 01:53:27,200 --> 01:53:29,400 Did you want to be a man? 760 01:53:31,300 --> 01:53:34,200 I wanted to be a musician. 761 01:53:35,900 --> 01:53:39,500 When I go on a stage, I come home. 762 01:53:39,800 --> 01:53:41,600 Just like you. 763 01:53:43,300 --> 01:53:47,100 That's why I've supported you, when you were in Berlin. 764 01:53:47,300 --> 01:53:50,000 Was that money coming from you? 765 01:53:50,800 --> 01:53:53,300 From a woman who supports the arts. 766 01:54:01,200 --> 01:54:02,900 Then I must thank you. 767 01:54:03,400 --> 01:54:06,900 I'm sorry, I had no idea. 768 01:54:08,600 --> 01:54:10,100 About that... 769 01:54:10,800 --> 01:54:13,300 About anything, actually. 770 01:54:14,700 --> 01:54:17,600 The price can be too high, Antonia ... 771 01:54:18,600 --> 01:54:21,300 ... but at least we do it. 772 01:54:28,000 --> 01:54:29,500 At least we do. 773 01:54:43,300 --> 01:54:47,000 I think I'd rather stay who I was. 774 01:54:48,100 --> 01:54:49,600 Who are you then? 775 01:54:52,000 --> 01:54:53,500 I am myself. 776 01:55:02,800 --> 01:55:05,600 Did Miss Brico have anything to say? 777 01:55:05,700 --> 01:55:09,300 She said, "Music does not matter discrimination in sex. ' 778 01:55:13,500 --> 01:55:15,300 MUSIC DOES NOT KNOW SEX 779 01:55:17,100 --> 01:55:20,500 Town Hall is available. - Good grace, Town Hall? 780 01:55:20,600 --> 01:55:23,500 Too many chairs. How do you get it full? 781 01:55:23,700 --> 01:55:29,300 I thought of advertisements in the newspaper, and invite the higher circles. 782 01:55:29,500 --> 01:55:32,000 I do not know those people, do you? 783 01:55:34,600 --> 01:55:37,900 Yes, but you have also their addresses? 784 01:55:43,400 --> 01:55:46,800 Mr. Goldsmith, what do you think? from Antonia's plan? 785 01:55:47,200 --> 01:55:48,900 Where shall I begin? 786 01:55:49,000 --> 01:55:52,100 She went conducting because she had no piano talent. 787 01:55:52,200 --> 01:55:54,100 A calculated choice. 788 01:55:54,300 --> 01:55:58,600 She just wants to be famous to become. She has no passion. 789 01:55:58,700 --> 01:56:04,200 Why does Mr. Goldsmith say that? Does he feel threatened by me? 790 01:56:15,900 --> 01:56:18,100 There are still many unemployed musicians? 791 01:56:18,300 --> 01:56:23,900 Miss Brico has also been unemployed for years. That is not for nothing. 792 01:56:24,000 --> 01:56:26,700 We are in the midst of a major crisis. 793 01:56:26,900 --> 01:56:30,600 We do not have enough work, not too little talent. 794 01:56:30,800 --> 01:56:32,200 It is abnormal. 795 01:56:32,400 --> 01:56:34,400 What? Women? 796 01:56:35,400 --> 01:56:37,600 It is against all tradition. 797 01:56:37,700 --> 01:56:41,200 We serve the music, not the dusty clichés. 798 01:56:41,400 --> 01:56:46,000 Women imagine so much. Think they can do everything. 799 01:56:46,100 --> 01:56:51,100 Your own fault if they fail. Women do not play trombone or horn. 800 01:56:51,200 --> 01:56:52,600 Just write: 801 01:56:52,700 --> 01:56:55,900 Miss Brico will never be a female timpanist. 802 01:57:25,600 --> 01:57:26,700 Willy Wolters ... 803 01:57:32,400 --> 01:57:35,300 If you want to stand in front of you, go ahead. 804 01:57:35,500 --> 01:57:39,100 But a whole orchestra of it women go too far. 805 01:57:40,200 --> 01:57:44,200 Let me guess, you support Goldsmith. - Of course. 806 01:57:44,300 --> 01:57:49,200 I want to prevent you make a spectacle of yourself. 807 01:57:49,300 --> 01:57:54,100 People love spectacle. I like that to my audience. 808 01:57:54,400 --> 01:57:58,000 You invite my whole circle of friends ... 809 01:57:58,400 --> 01:58:03,400 ... and I will do everything to make sure they do not go. 810 01:58:03,500 --> 01:58:07,300 Do what you want, but let me do that too. 811 01:58:07,500 --> 01:58:09,000 Have a nice day. 812 01:58:14,000 --> 01:58:18,800 What does our advertisement do here? In the auto section? 813 01:58:18,900 --> 01:58:22,000 Who looks at that? What a waste of money. 814 01:58:22,200 --> 01:58:26,800 I think Mrs Thomsen contacts with the newspaper. 815 01:58:28,500 --> 01:58:30,500 Are there reservations already? 816 01:58:33,200 --> 01:58:35,200 Is that all? 817 01:58:35,300 --> 01:58:37,500 So we play for an empty room? 818 01:58:41,100 --> 01:58:43,000 We have to cancel Town Hall. 819 01:58:43,100 --> 01:58:47,100 I tried, but we did have to pay anyway. 820 01:58:47,200 --> 01:58:50,900 Pay? By which? What a disaster. 821 01:58:51,000 --> 01:58:53,000 Let's just continue. 822 01:58:53,200 --> 01:58:58,100 How do we pay our musicians? - They want to play for free. 823 01:58:58,500 --> 01:59:02,000 For nothing? - Not everyone is against us. 824 01:59:04,400 --> 01:59:06,000 Good. 825 01:59:06,600 --> 01:59:09,700 Then we give them at least an audience. 826 01:59:10,300 --> 01:59:14,800 We make the concert free, and pay Town Hall later. 827 01:59:15,000 --> 01:59:18,600 No more costs only free publicity. 828 01:59:19,100 --> 01:59:20,500 A letter. 829 01:59:20,600 --> 01:59:22,900 From the first lady. - What? 830 01:59:23,900 --> 01:59:28,100 "To Miss Brico, from Eleanor Roosevelt. " 831 01:59:54,100 --> 01:59:57,000 Do you know if it takes a long time? - Just a second. 832 01:59:57,200 --> 01:59:59,900 I have to go to the radio, I have been waiting for half an hour. 833 02:00:00,100 --> 02:00:03,300 No one says Mrs. Roosevelt to shoot. 834 02:00:15,700 --> 02:00:17,700 Hey. - Mr. Goldsmith. 835 02:00:22,000 --> 02:00:24,500 Miss Brico, it was nice to meet you. 836 02:00:24,600 --> 02:00:27,400 The man who told you about it was right. 837 02:00:27,600 --> 02:00:32,300 May I ask who that was? - He asked that secret. 838 02:00:33,700 --> 02:00:35,400 We respect that. 839 02:00:35,600 --> 02:00:40,100 That's what he said about you when you were was attacked in the press. 840 02:00:40,600 --> 02:00:43,700 "A great musician treat you with respect. ' 841 02:00:43,800 --> 02:00:46,400 He is sure that you are high. 842 02:00:46,600 --> 02:00:49,200 He pays the room. 843 02:00:49,500 --> 02:00:52,400 If I can give you advice: 844 02:00:52,600 --> 02:00:55,700 Do what your heart tells you. 845 02:00:55,800 --> 02:00:58,000 Criticism will get you anyway. 846 02:01:00,800 --> 02:01:05,400 The public wants to know: are women suitable as a musician? 847 02:01:05,500 --> 02:01:08,900 Do not forget that there 17 million radios. 848 02:01:09,000 --> 02:01:11,400 Millions of ears listen to it. 849 02:01:11,600 --> 02:01:14,700 His orchestras to a cultural change? 850 02:01:14,900 --> 02:01:17,100 This has nothing to do with culture. 851 02:01:17,200 --> 02:01:20,200 It is doubtful entertainment. 852 02:01:20,400 --> 02:01:22,900 A cry for attention. 853 02:01:23,000 --> 02:01:27,100 Say honestly, you would have a ticket buy for her concert? 854 02:01:29,000 --> 02:01:30,400 Not me. 855 02:01:30,500 --> 02:01:34,000 We liked it Miss Brico asked. 856 02:01:34,100 --> 02:01:35,700 But she is not there yet. 857 02:01:35,800 --> 02:01:39,400 That is why it does not work either: women are always too late. 858 02:01:39,700 --> 02:01:44,800 Do not you just hate to women as orchestra leader? 859 02:01:44,900 --> 02:01:50,400 I only say what the public thinks. - Mrs Brico never becomes maestra Brico? 860 02:01:50,600 --> 02:01:51,900 No. 861 02:01:52,100 --> 02:01:57,100 Her first concert is in Town Hall, with 1500 seats. 862 02:01:58,000 --> 02:02:00,200 Does she sell so many cards? 863 02:02:00,400 --> 02:02:03,100 She is going back. I hear... 864 02:02:03,400 --> 02:02:05,200 ... that the concert is free. 865 02:02:05,300 --> 02:02:07,100 Does not she want to earn anything? 866 02:02:07,200 --> 02:02:10,500 It's an emergency, there is no interest at all. 867 02:02:10,700 --> 02:02:14,400 Miss Brico just arrived. What do you think? 868 02:02:15,700 --> 02:02:18,800 That emergency is because of the crisis. 869 02:02:18,900 --> 02:02:23,700 So that the concert is also accessible for people without money. 870 02:02:23,900 --> 02:02:28,400 So I want the public calls to come. 871 02:02:28,500 --> 02:02:32,800 I'm sorry I'm late. I had an important appointment. 872 02:02:34,300 --> 02:02:38,400 What is more important then your doomed project? 873 02:02:39,900 --> 02:02:42,500 I used to be a teacher from Mr. Goldsmith. 874 02:02:42,600 --> 02:02:47,800 He already had a peculiar one at that time conception about women. 875 02:02:48,500 --> 02:02:51,400 They must be under. 876 02:02:51,500 --> 02:02:55,600 That is how I learned how to get on top. 877 02:02:55,800 --> 02:02:58,000 I still take that ... 878 02:03:02,300 --> 02:03:03,800 Kwalijk? 879 02:03:05,300 --> 02:03:06,600 No... 880 02:03:07,500 --> 02:03:10,300 I accept that. Really. 881 02:03:11,600 --> 02:03:14,900 I just had an appointment with our first lady. 882 02:03:15,000 --> 02:03:17,000 Nobody tells her to shoot. 883 02:03:17,300 --> 02:03:20,500 Had it to do with your women's orchestra? 884 02:03:20,600 --> 02:03:22,400 Hell yes. 885 02:03:22,900 --> 02:03:26,800 She has just arrived connected to our orchestra. 886 02:03:26,900 --> 02:03:30,100 We are honored that they are being a patroness. 887 02:03:30,200 --> 02:03:34,800 It proves that even in it the highest circles are interested. 888 02:04:05,500 --> 02:04:09,800 What can I do for you? - I come for Frank Thomsen. 889 02:04:11,800 --> 02:04:14,800 Who can I say that there is? - An old friend. 890 02:04:16,900 --> 02:04:18,900 You're too fast for me. 891 02:04:26,300 --> 02:04:27,500 You... 892 02:04:28,400 --> 02:04:29,900 Hello, Frank. 893 02:04:34,900 --> 02:04:36,900 I see you have a son. 894 02:04:38,100 --> 02:04:39,300 Yes... 895 02:04:40,600 --> 02:04:41,600 What's your name? 896 02:04:41,900 --> 02:04:43,500 Will. 897 02:04:45,400 --> 02:04:46,900 William. 898 02:04:49,500 --> 02:04:51,900 Can you just bring it up? 899 02:04:55,100 --> 02:04:56,600 Nice kid. 900 02:05:01,900 --> 02:05:04,600 What are you doing? Do you want to come in? 901 02:05:04,800 --> 02:05:09,600 No, do not bother. I have to leave again. 902 02:05:09,900 --> 02:05:13,900 I came to thank you. For what you did. 903 02:05:13,900 --> 02:05:15,600 What then? 904 02:05:15,700 --> 02:05:18,200 Mrs Roosevelt? And Town Hall? 905 02:05:19,700 --> 02:05:22,900 That does not mean anything. - For me. 906 02:05:24,100 --> 02:05:27,900 I did not know right away that you pulled some strings. 907 02:05:28,000 --> 02:05:30,000 I owe you. 908 02:05:30,900 --> 02:05:34,600 See it as my wa apologize. 909 02:05:35,900 --> 02:05:37,300 What for? 910 02:05:38,000 --> 02:05:42,400 I asked you to abuse your talen by not using it. 911 02:05:44,000 --> 02:05:46,900 You once called that disturbed. 912 02:05:49,300 --> 02:05:51,100 You are not disturbed. 913 02:05:51,700 --> 02:05:53,200 That was me. 914 02:05:53,900 --> 02:05:55,900 When I let you go. 915 02:05:59,200 --> 02:06:01,800 That also counts for me. 916 02:06:11,000 --> 02:06:14,500 I have to go I will not disturb you any longer. 917 02:06:25,500 --> 02:06:28,000 Are you coming to the concert? 918 02:06:29,200 --> 02:06:30,400 No... 919 02:06:33,700 --> 02:06:35,200 I am staying at home. 920 02:06:35,700 --> 02:06:37,200 At William. 921 02:06:38,300 --> 02:06:40,400 Maybe Emma is going. 922 02:08:08,300 --> 02:08:11,500 How is it outside - One big spectacle. 923 02:09:11,300 --> 02:09:13,600 Good evening, Mme First Lady. 924 02:09:13,700 --> 02:09:17,800 What an honor to meet you Really a privilege. 925 02:09:21,900 --> 02:09:24,800 You can not enter. The room is full. 926 02:09:25,100 --> 02:09:27,800 Please stay there We are full. 927 02:09:34,400 --> 02:09:35,700 Hello, sir. 928 02:11:26,600 --> 02:11:29,600 People no longer have decency. 929 02:11:30,000 --> 02:11:32,400 I think it's Frank.